45, Madison: University of Wisconsin Press. "Sex for Sale? Interpreting Erotica in the Havana Collection." Greek Prostitutes in the Ancient Mediterranean, 800 BCE-200 CE, Allison Glazebrook and Madeleine M. "The power of music in Greek vase painting: reflections on the visualisation of rhythmos order and epaoide (enchanting song)." Imago Musicae: International Yearbook of Musical Iconography, 8: p. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters. 32i–j, 90, New Haven: Yale University Press. Attic Red-Figured Vases: A Survey, Revised Edition, 2nd edn. Eross flesh was originally emphasized with white pigment, now mostly lost. A seated Eros in the center is flanked by two goddesses on the right is probably his mother, Aphrodite. 80i, Cambridge, Mass.: Harvard University Press. The light subject matter, languid, conventional poses and gestures, and decorative detail are characteristic of the transitional period in vase painting. 103, 111, 171, New Haven: Yale University Press. Red-Figured Athenian Vases in the Metropolitan Museum of Art. "Three Red-Figured Greek Vases." Bulletin of the Metropolitan Museum of Art, 20(11): pp.
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